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The photographic news
- Bandzählung
- 24.1880
- Erscheinungsdatum
- 1880
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- Englisch
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- F 135
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- Hochschule für Grafik und Buchkunst Leipzig
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- Hochschule für Grafik und Buchkunst Leipzig
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- Bandzählung
- No. 1122, March 5, 1880
- Digitalisat
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Zeitschrift
The photographic news
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Band 24.1880
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- Register Index 631
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Band
Band 24.1880
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- Titel
- The photographic news
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THE VENUS OF MILO. DEAR Sir,—Your Correspondent, " J. S.,” may care to know that an extremely fine cast of the Venus de Milo has recently been placed in the Elgin Room, British Museum, by Mr. C. T. Newton, the learned keeper of the Greek Antiquities, for the use of students. As with other things, there are casts, and casts !—Yours truly, Stephen Thomson. Ualk ill the Stndio. Photographic Society of Great Britain.—The next meeting of this Society will take place on Tuesday next, March Sth, at the Gallery, 5a, Pall Mall East, when apper will be read on “ Photographs Collected during a Tour Round the World via Siberia and California,” by the Rev. Henry Landells, F.R.G.S. Obituary.—We regret to announce the decease of Mr. H. Claudet, photographer, of Regent Street, which occurred on the 22nd ult., after a very short illness. Mt. H. Claudet was the second son of the late Mr. A. Claudet, F.R.S., the eminent photographer who began to practise the art almost as soon as it was discovered, and whose loss was a serious one to the whole profession. Photographic Accessories.—Messrs H. & H. J. Timperley have forwarded us a series of photographs representing some new accessories they are manufacturing. Judging by the tint of the pictures, the colouring of the originals has been accom plished with some success, and the pedestal and steps which are in the series are certainly less conventional than usual. Photographic, Compared with Pictorial, Portraiture. Well may the life-size heads of fam’d Vandyke, Kneller, or Reynolds, every gazer strike, When thus, immortalis’d in living hues, The looks of long-departed Worth he views; Give me, in modest Photograph, to trace The lineaments of some remember’d face, Without the Painter’s art, by Light’s pure aid, So finely, freely, faithfully portray’d 1 ’ Tis all exact resemblance, all sincere; No flattery meets us, no deception, here ; No human strokes with heavenly interfere I Thomas Grinfield, M. A. G0 Guxxesgonents. James Young.—The Woodbttrytype Company, Portland Road, or Autotype Company (see our advertising columns), would supply you; if not, an advertisement in our columns would doubtless get you the information. E. Evans.—There is no rule among photographers or other employers. Conditions should have been stated on engagement ; if this was not done, we would advise division of expenses, if the employed turns out a bona fiie assistant. Arthur Levy.—Thank you. GELATINO-BRONIIDE.—See our “ At Home" this week on this very subject. Thore is no need whatever for the brown tint you mention. Send to Marion’s. Fred.—We cannot do as you ask; all of them are trustworthy. A. F. M.—The Autotype Company will be glad to let you have any quantity of the Indian ink tissue, for transparencies; they sell precisely the same kind that they use themselves. Try a drop of castor oil in four ounces of collodion. Turncoat.—We think you are too harsh in your opinion; perhaps he has changed his mind. He might reply: “ What’s the good of having a mind, if you can’t change it ? ” At any rate, there are many of us who are not so clever at twenty-one as we then imagine ourselves to be. Triton.—Yes, you may remove the surface colour by fluoric acid, which readily dissolves glass, but the making of nicely graduated vignettes is no easy matter. Bo not allow the acid to touch fingers; it bites. George Morley.—There is a fluid sold for diluting marine glue; we can recommend you no better mixture for coating it, if it is to hold fluid. W. W.—They are printed on plain salted paper. Yes, we should think they were permanent in a very great degree. Noddie.—Easily enough, by using a stronger silver solution. T. J. W.—We do not know of any such publication. Theflrstyou name certainly enjoys agood reputation. Otto Von Roeth.—The Stereoscopic Company, and Mr. Vander Weyde, both of Regent Street, employ the electric light; see “ At Home” in the News for 13th ult. Photo-Litho.—See our “Notes.” About the beginning of this century, Senefelder, of Munich, first discovered the art, and his name is always connected with it. Niepce’s early experiments, so we are told, were incited by Senefelder’s discovery of litho graphy. W. Mutch.—Silk may be dissolved in hydrochloric acid. See Spiller’s researches published in the British Association Pro ceedings for 1870. The silk solution may under certain circum stances be used like collodion, but the film never dries properly, and remains deliquescent. Madame Niepce de St. Victor.—We have received your note, which shall have our best attention. Carbon Tissue.—You evidently refer to the Mariotype process, which was brought before the Photographic Society in May, 1873. See the journals of that date. The process was promising, but Mr. Marion died before it had been completely elaborated. W. M.—Write to Professor Alexander Herschel, at the School of Science, Newcastle.. He is the second son of the late Sir John, and is very likely to be able to give you the information. The experiments with glass photographs date back to 1839; Professor Herschel showed us some of these six or eight years ago, so he no doubt has them still. F. Morris.—The process has several times been given in these pages. Use Indian ink for your lines on paper, so that they are opaque. The solution for treating the printing paper is made up of— Citrate of iron (or ammonio-citrate) ... 140 grains Ferro-cyanide (red prussiate) of potash... 120 „ dissolved together in two fluid ounces of water. It will keep well in the dark, and is applied to the paper by a brush or tuft of wool. Put it under the original drawing, which serves for negative; after printing, wash in water. The result is a white design on a blue ground. The Pellet paper you speak of gives blue designs on a white ground, hut the Poitevin process, details of which appeared in the News last month, is a more satisfac tory process still. Mb. J. L. Toole writes from the Polly Theatre : “ Accuracy in scientific matters has been the one aim of my life, and although my study at the present moment may be said to be geological, since it is confined to The Upper Crust, I must ask you to insert the preamble of my lecture on photography, as the remarks you made last week scarcely do me justice. Taken in this way their bearing is obvious. ‘Collodionisamineralsubstar.ee obtained from mustard and cress, grown in a warm situation on a blacking bottle constantly kept damp with pyrogallic elixir; when calcined witli equal proportions of gunpowder and gutta-percha, it is known in photography as the sesqui-qua-quod of the cyanuret of potassium.’ ” F. H.—We have examined it carefully, and we have little doubt it is albumen ; starch might have the same appearance, but if we can scrape off sufficient we will test chemically. W. W.—See answer to A. M. in News of 13th Feb. We have there given the formula. You cannot do better than tone with iridium and gold. F. C.—We do not know the address of Hollingsworth and Turner. P. G,—We have already given the address several times in these columns: Messrs. Ihlee and Horne, 13, Aldermanbury, are the agents for the luminous paint. H. W. BEVAN.—Thank you; next week. Brighton.—You may tint in the way you mention, but must re member that the aniline dyes are very fleeting. A better plan is to drop a little, a very little, of one of Judson’s dyes into some plain collodion. This may then be poured over the mounted photographs in the same way as a plate is treated; the effect of tinted collodion applied in this way is often pleasing. W. G. Tannahill.—Thanks; but your communication reaches us this week just as we are going to press. French CORRESPOXDEXCE held over, owing to pressure on space this week. Several correspondents in our next.
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