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The photographic news
- Bandzählung
- 35.1891
- Erscheinungsdatum
- 1891
- Sprache
- Englisch
- Signatur
- F 135
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- Hochschule für Grafik und Buchkunst Leipzig
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- Hochschule für Grafik und Buchkunst Leipzig
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- http://digital.slub-dresden.de/id1780948042-18910000
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- oai:de:slub-dresden:db:id-1780948042-18910000
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- Fotografie
- LDP: Historische Bestände der Hochschule für Grafik und Buchkunst Leipzig
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- Bandzählung
- No. 1713, July 3, 1891
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Zeitschrift
The photographic news
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Band 35.1891
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486 THE PHOTOGRAPHIC NEWS. [July 8, 1891. Qatent IEntellgence. Applications for Letters Patent. 10,662. Lewis Hughes, 4, Clayton Square, Liverpool, “Im provements in Lifters for Photographic Plates.”—June 23rd. 10,665. William TYLAR, 12, Cherry Street, Birmingham, “Improvements in Photographic Folding Plate Drainers.” —June 23rd. 10,798. John Kershaw, 53, Arcade Chambers, St. Mary’s Gate, Manchester, “ Improvements in Shutters for Photo graphic Cameras.”—June 24th. Specifications Published. 1,098. January 21st, 1890.—“ Change-Boxes.” H. H. Lake, Southampton Buildings, Middlesex. (E. Kipper, 361, Broad way, and E. W. Perry, jun., 42, East Fourteenth Street, both of New York, U.S.A.) The plates, &c., are placed in a box, and are pressed towards a flange in the front by a support actuated by a screw. The front plate, &c., is exposed by withdrawing a slide. The exposed plate is transferred to a receiving box, which may be hinged, or otherwise attached, to the first. The transference is effected by an open frame, the side bars of which have teeth, which, taking the edges of the plate, &c., carry the latter into a box. Springs, or a push, may be used to throw the plate, &c., off the teeth. The carrier frame is worked by a rack and pinion. A flap shuts the aperture in the partition or ends of the boxes through which the carrier passes. Modifica tions are described in which the plates are transferred by pinions which engage in the corrugated edgings of sheaths, in which the plates, &c., are held, or by friction wheels, &c. Also the receiving box may be in the rear of the holding box, the plates, &c., in transference passing through a curved guide, which may be provided with guide rollers. Lastly, the frame carrier may be actuated by a cord or rod, &c. The sheath referred to is formed by turning over, and forming teeth or corrugations on the edges. 1,155. January 22nd, 1890.—“Tripod Stands and Walking- Sticks.” W. R. Baker, 9, Belmont Villas, Wallington, Surrey. Relates to camera stands, which may be also used as a walking-stick. The legs, which are hinged or pivoted to the base of the superstructure on which the camera rests, form, when folded together, a walking-stick of circular section, the lower ends being secured by a ferrule, and the top by a tube of the superstructure, which serves as a handle. The superstructure consists of a trian gular base to which is screwed the tube carrying the camera board. The parts are detachable, but in a modification, in which the legs, instead of being pivoted, are hinged, the lower part is small enough to allow the upper part of the tube to pass over it when using the stand as a walking-stick. The provisional specifi cation describes a modification of the superstructure, consisting of two triangles with connecting pieces, which is also adapted for being used apart from the legs. 1,203. January 23rd, 1890.—“Detective Camera with Change-Box Arrangement.” D. Carter, 15, Gerrard Street, Warwick. The plates or films are fitted in sheaths, preferably of metal, and slid into vertical grooves till they rest on a platform fixed to the back of the camera. A frame slides on rails, and, after an exposure, it is pulled forward by a tape (which is marked to act as a register), till the exposed plate slips over the end of the platform, and falls forward into a store receptacle in the bottom of the camera. The frame is pulled back by elastic bands and held in the correct position for exposing each plate by a detent acting on the teeth of a rack. A shield, which may be hinged, excludes light from the store receptacle. Several modifications of change-box arrangement are described. In one, a spring arrangement is used to break the fall of the exposed. plate into the store receptacle. Wings are formed on the sides of the sheaths to prevent them falling forward till they have reached the bottom of the store receptacle. In another form, the projecting ends of a wire fixed to the bottom of a sheath are pivoted in apertures in the peri pheries of the end discs of a reel or roller. By turning the reel the plates are brought successively into position for exposure, and then folded down into the store recep tables. Instead of moving forward th frame to bring the plates successively into focus, the front of the camera is connected to the body by a short bellows so that it can be moved backwards. The lens tube is fitted in a tube fixed at right-angles to a plate which is pivoted so as to bring the lens nearer the base of the picture when the cameras are turned round. The shutter consists of two oscillating plates working in a slot in the lens tube, and actuated by a cam, on the axis of which is a grooved pulley turned by a cord connected to an elastic band at one end, and worked by a lever at the other. The finder consists of two parallel reflectors set at an angle of 45°, the lower reflector being convexed to correspond with the focus of the lens. South London Photographic Society.—By the kind invitation of Mr. John T. French, a very pleasant excursion of the above Society took place to Keston on Saturday afternoon last. The wind was against anything special being done. After tea, the wind having dropped somewhat, the company was grouped in the valley, and Mr, Banks had a shot with the Club camera. On July 11th the Society will have an outing at Rochester. Death of Mr. Lachlan M'LACHLAX.— The Manchester papers devote more than the ordinary amount of space to obituary notices of this well-known photographer, and some of them give a long account of his career from his amateur days to the time when he was called upon to take portraits of the Queen and various members of the Royal family. From one of these notices we extract the following :—“About 1853-4 he commenced as a professional photographic artist in St. Ann's Square ; subsequently having a studio very many years in Stamp Office Buildings, Cross Street, near the old offices of the Guardian and Evening News. At the latter studio M’Lachlan made his first distinctive mark as the most artistic photo grapher in the city, a position, we may add, in face of many subsequent accomplished competitors, he maintained to the last. As was once remarked : ‘M ‘Lachlan is an enthusiast ; and nothing but enthusiasm of the noblest order could have reached the goal which he has won. He believes in photo graphy as an art ; not in those caricatures at so much per dozen which can be had at any street corner, but specimens where the character of the man photoed can be plainly read.’ In his Cross Street studio, M’Lachlan, assisted often by the high-class artistic advice of his great friend, Frederick Shields, turned out some splendid work, both of public and private characters ; among the former capital photos of Mr. Charles Calvert as Richard HI. and Shylock. His first really important public work was the fine photo graphic group of members of the Cotton Famine Relief Fund Committee, the portraits in which, especially of the late Lord Derby, the late Lord Egerton of Tatton, Lord Win- marleigh, &c., are as fine as any ever produced by photographic art. Nearly twenty years ago M’Lachlan commenced, in a temporary photographic studio near Balmoral, the picture on which his name and fame will hereafter rest—that of the Royal family. We remember him going off in hot haste to Aberdeen to get his first sittings of the Queen and other mem bers of the Royal family, then at Balmoral. Of his then experiences, and many subsequent ones in connection with that picture, which was really the labour, and, we may add, the bane, of the latter years of his life, no end of amusing stories have been, and (now that he is gone) will be told. There was, however, one motto in this work which might be safely affixed to him— Perseverantia omnia vincit.’ As Sir Joseph Heron once said of him, 1 Mac never knows anything about defeats or being beaten.’ Apart from his profession, in which he certainly never knew a superior in Manchester, and apart from his long residence in Manchester, M’Lachlan was a typical Highlander, warm-hearted and generous, high-prin cipled and honest, straightforward and above-board in all he said and did.”
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