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The photographic news
- Bandzählung
- 6.1862
- Erscheinungsdatum
- 1862
- Sprache
- Englisch
- Signatur
- F 135
- Vorlage
- Hochschule für Grafik und Buchkunst Leipzig
- Digitalisat
- Hochschule für Grafik und Buchkunst Leipzig
- Digitalisat
- SLUB Dresden
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- Public Domain Mark 1.0
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- urn:nbn:de:bsz:14-db-id1780948042-186200003
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- http://digital.slub-dresden.de/id1780948042-18620000
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- oai:de:slub-dresden:db:id-1780948042-18620000
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- LDP: Historische Bestände der Hochschule für Grafik und Buchkunst Leipzig
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- Seite 1-72 fehlen in der Vorlage. Vorlagebedingter Textverlust.
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- Bandzählung
- No. 201, Juny 11, 1862
- Digitalisat
- SLUB Dresden
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- Ausgabe
- Parlamentsperiode
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- Wahlperiode
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Zeitschrift
The photographic news
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Band 6.1862
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- Register Index 619
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Band 6.1862
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a air d ) of th been te e. The lfinche i agook; I ids, KB J ineot- which is in slides ions), go lkabodl ard,s tiling h e > fifteen take r, the ption d ibrells), i sau. 0f I dozen of j t inches ;h; and iosed to ie then camel* or into ale, it i’ journey a hotel slight!’ les, fir® ler with es with ninutes, f being ; in the repeat, another st maj ifficulty is is 10 i in the no on* anteat, Ith scene* nerf nt, d $, so iful. . ness6 eit* ilers irise t n sde us and merci cute 1 ofiisot ice the sly the in i‘ ! ! rivate , many 'ten bo e;but ialities of i |s before somde id; to rities, afects, ‘ mor® iodis JULY 11,1862.] THE PHOTOGRAPHIC NEWS. 335 conrage him from undertaking them. We are not sure whether some dealers may not be obtuse enough even to encourage defects, from the short-sighted notion of increasing the salo; 'at this wo can say—that wc know no maker who will gua rantee the sincerity of his wish to make good plates, by con senting to allow for them if they turn out bad ones. If this state of things arose from imperfection in the art, we should not grumble, but could only urge improvement; but this is not M It is well known that dry plates can be made, satisfying >11 the conditions we have named, and which, with care anti system in the manufacture, might be rendered thoroughly trustworthy. It is only the indolence or obstinacy of the trade that prevents their becoming regular articles of commerce. We do not wish, however, to discourage the traveller who may wish to adopt this admirable aid to his wanderings ; for the object to be gained is so important that it is worth striving •little for. In the present state of the matter, he must either eam to prepare his own plates—which, after all, is no great Exertion—or, if he buys them, he must at least learn to develop them, and must, at the same time, lay in with them a certain Mock of patience and temper to meet disappointment; and we Can assure him that, even at this price, he will find himself a, nply repaid. But wo again urge that the case ought not to land thus. The application of the dry processes to portable Photography offers a boon almost inestimable to, but yet quite ••appreciated by, the traveller and the tourist; and it only kels the zealous and earnest co-operation of the dealer, by so inducting the manufacture as to render it perfect and trust- "orthy, to raise this application into a branch of commerce of 6 extent, importance, and profit, little inferior to any in the bad e , • Coxrespondence. FOREIGN SCIENCE. [from our special correspondent.] Paris^ ith July, 1862. SovE important additions to our photographic literature Hand a passing notice. Photographic treatises and ma- "nals are superabundant, so much so that it might reason- Able be supposed there was little left, that is new, to be Rpected from them. But, fortunately, the field of photo- Braphy is a wide one, and different authors occupy different Portions of it, and, by pursuing a special branch of the art, ’•author is enabled to give us the fruit of his experience, "hich must unquestionably possess an interest and value Ssuch. One lends all his faculties to perfecting the waxed- PSPer process. To another collodion, wet, dry, or preserved, “ 'lie summum bonum of photographic bliss; while to "ther, photographic perfectibility seems to lie in carbon "inting. J shall begin with M. Disderi, to whom photographers Wender so many weighty obligations for his efforts in Polarizing the carte de visife portraits. M. Disderi made , p fashionable, and, consequently, universal, setting in iSlion various branches of industry, the extent of which '•calculable, and whose limits are immeasurable. w । e Art de la Photographic, par M. Disderi, is a splendid t, tme of 400 pages, printed on vellum paper, suitably illus- d; ted, and professes to be a complete treatise on the collo- tai” Process. Every one who has seen the excellent pictures L by M. Disderi must have felt some curiosity to know gometh od of producing them. This volume is intended to tr, r that curiosity, and dull indeed must that photo- bidt rbe who, after carefully studying these pages, should be f become an adept in the art. At this date, there can •till 6 secrets in photography, although “dodges” may but ind favour among those who work by the rule of thumb; Won" 1 out intelligence, tact, and practical knowledge, the wid"be photographer must be like a ship adrift on the to inipscan, without rudder or compass. M. Disderi promises and ate his readers in all the manipulations of his art, tin., ensure success to those who follow him, step by step, in Rations he describes. '•trod 00k is divided into three sections :—1st. A general action and description of the “ materiel ” of art. 2nd. The collodion process, and positive printing; the 3rd bears the title of Photographic Esthetics; this is a new chapter in photography, in which the author acknowledges his obliga tions to M. Lafon de Carmasac, the inventor of photography on enamel, from whom he has derived esthetic principles specially applied to photography, the extent and precision of which have had a remarkable effect in extending and improving the domain of photographic art. There is also a chapter on enlarged portraits, to which M. Disderi has devoted his talent; in this he urges the immense aid carbon printing affords to photography. To wdiat perfection carbon printing has been brought, you are doubtless fully informed from inspection of the specimens sent by our most competent artists to the International Exhibition. This book does M. Disderi great credit. The style is clear and concise without being dry ; it is easy to recognise that it proceeds from the pen of a master in the art. Espe cially valuable are the hints as to the causes of failure, and the most rational means of avoiding them, and no less so are the suggestions for varying formul, according to the season of the year. In an Introduction to the volume, M. Lafon de Camarsac has given a very clever summary of the present state of the photographic art, from which the reader may gather con clusions as to the future of photography. It needs no ghost to tell us that this future must be in the direction of carbon printing. The reader who searches the pages of this volume for new formula:, will be disappointed. The author has shown a wise discretion in not multiplying these barriers to success. We have too may recipes already, and our policy should be to prune, not to multiply them. The author gives the formula: he has found most satisfactory in practice, and such as he daily employs himself. M. Poitevin has published a “ Treaties on Photographic Printing without Salts of Silver.” It contains the history, theory, and practice of the methods and processes of carbon printing, of helioplastics, of photolithography, photo chemical engraving, &c. In view of the valuable, and highly successful labours of M. Poitevin in these branches of photographic art, his volume is as interesting an one as we have yet perused. There is, however, one chapter which it would have been gratifying to have met in it, and that is— The Photozincography of Colonel James, which, from the specimens lately submitted to my inspection, I am led to conclude is one of the most valuable and important applica tions of the photographic art, yet M. Poitevin’s volume has an Introduction, from the able pen of M. Ernest Lacan, one of the editors of La Moniteur de la Photographic. The volume is illustrated with specimens of the various processes described. M. A. Belloc has also published a volume of 420 pages, entitled Photographie Rationelle; Traite Complet Theorigue ct Pratique Applicationes diverses. Some four years ago M. Belloe published his Compendium of the four branches of photography. Since that date, one of the four, the Daguer reotype, has completely disappeared from practice ; never theless, M. Belloc’s volume will always retain a certain amount I of interest, seeing that it was clearly written and skilfully arranged. The present volume is no less creditable to its author, and deserves a place in every photographer’s library. The attention “ enlarged portraits” command at the pre sent time, and the difficulties that beset their production, so far as optical arrangements are concerned, render M. Cheval- lier’s treatise “ On Amplification” very acceptable, seeing that it is the production of an accomplished optician, who endeavours to place the matter on a satisfactory basis. Major Russell’s Treatise on the “Tannin Process” lias been translated by M. Gerard, Secretary to our Photographic Society, a very convincing testimony of the estimation in which the process is held. A short time ago there appeared in Germany a “ Manual of Practical Photography,” from the pen of L. S. Kleffel,
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