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The photographic news
- Bandzählung
- 6.1862
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- 1862
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Zeitschrift
The photographic news
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Band
Band 6.1862
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- Ausgabe No. 180, February 14, 1862 73
- Ausgabe No. 181, February 21, 1862 85
- Ausgabe No. 182, February 28, 1862 97
- Ausgabe No. 183, March 7, 1862 109
- Ausgabe No. 184, March 14, 1862 121
- Ausgabe No. 185, March 21, 1862 133
- Ausgabe No. 186, March 28, 1862 145
- Ausgabe No. 187, April 4, 1862 157
- Ausgabe No. 188, April 11, 1862 169
- Ausgabe No. 189, April 17, 1862 181
- Ausgabe No. 190, April 25, 1862 193
- Ausgabe No. 191, May 2, 1862 205
- Ausgabe No. 192, May 9, 1862 217
- Ausgabe No. 193, May 16, 1862 229
- Ausgabe No. 194, May 23, 1862 241
- Ausgabe No. 195, May 30, 1862 253
- Ausgabe No. 196, June 6, 1862 265
- Ausgabe No. 197, June 13, 1862 277
- Ausgabe No. 198, June 20, 1862 289
- Ausgabe No. 199, June 27, 1862 301
- Ausgabe No. 200, Juny 4, 1862 313
- Ausgabe No. 201, Juny 11, 1862 325
- Ausgabe No. 202, Juny 18, 1862 337
- Ausgabe No. 203, Juny 25, 1862 349
- Ausgabe No. 204, August 1, 1862 361
- Ausgabe No. 205, August 8, 1862 373
- Ausgabe No. 206, August 15, 1862 385
- Ausgabe No. 207, August 22, 1862 397
- Ausgabe No. 208, August 29, 1862 409
- Ausgabe No. 209, September 5, 1862 421
- Ausgabe No. 210, September 12, 1862 433
- Ausgabe No. 211, September 19, 1862 445
- Ausgabe No. 212, September 26, 1862 457
- Ausgabe No. 213, October 3, 1862 469
- Ausgabe No. 214, October 10, 1862 481
- Ausgabe No. 215, October 17, 1862 493
- Ausgabe No. 216, October 24, 1862 505
- Ausgabe No. 217, October 31, 1862 517
- Ausgabe No. 218, November 7, 1862 529
- Ausgabe No. 219, November 14, 1862 541
- Ausgabe No. 220, November 21, 1862 553
- Ausgabe No. 221, November 28, 1862 565
- Ausgabe No. 222, December 5, 1862 577
- Ausgabe No. 223, December 12, 1862 589
- Ausgabe No. 224, December 19, 1862 601
- Ausgabe No. 225, December 26, 1862 613
- Register Index 619
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Band 6.1862
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240 THE PHOTOGRAPHIC NEWS. [May 16,186- Ualh in the Studio. PHOTOGRAPEY in the Exhibition.—We observe with plea sure that, notwithstanding the inferior position accorded to photography by Her Majesty’s Commissioners, the “leading journal” regards it as worthy of repeated and prominent notice in its criticisms on the contents. Of the British department it recently remarks:—“ We mentioned yesterday, with the praise they deserved, the very fine collection of French photographs in the south gallery, though we now learn that some of the very best in this display are by English artists resident in France. Some remarkably good ones are sent by Mr. Maxwell Lyte, an amateur, whose pictures may be at once known by the words, ‘Lux fecit’—a true photographer’s pun on his name and art. Mr. Bingham, too, one of the best of the Paris professionals, sends some fine specimens, which go far to keep up the general excellence of the French show. There is a special class devoted to English photography in the building, which contains some of the finest specimens of the photographic art ever brought together. There was no class devoted to photography in 1851, and there was near being no exhibition of the art on this occa sion, in consequence of the most unfavourable place assigned to it. As it is, the London Photographic Society have refused to exhibit, and, but for the efforts made by the most eminent photographers, the art, as regards England, would have been unrepresented altogether. The photographic collection is placed along with the class devoted to educational appliances, in a large room in the upper floor of the tower, between the English and foreign picture galleries—about the most inaccessible and unfavourable spot to which it could be banished, but to which we feel now justified in calling the attention of visitors, as con taining a collection which will repay a long visit. Here are collected the finest portraits of Williams, Claudet, Watkins, and Mayall, Caldezi’s copies of miniatures and cartoons, the exquisite views of Bedford, Fenton, Cundall, Downes, and White, and the fancy pieces of Robinson. Frith also sends specimens of three great views in the East, which were taken for Negretti and Zambia. Some of the best exhibitors in this class are to be found among the amateurs, of whom there are many, such as Colonel Sir Henry James, the Earl of Caith ness, Lady Jocelyn, Colonel Verschoyle, Colonel Stuart Wort- ley, Sir A. Macdonald, &c. The educational appliances in this department of the Exhibition likewise deserve an attentive visit.” The error made as to the Photographic Society having refused to exhibit, will be understood by photographers as a misconception as to the nature of the steps taken some months ago.” The PHOTOGRAPHIC Contract at the Exhibition.—We intimated a conviction a few weeks ago, that the impossible conditions attached to the photographic tender, for the privi lege of photographing in the Exhibition Building, had a definite purpose, and was part of a little scheme of jobbery. An adver tisement which appears in the official catalogue, affords a striking illustration of this idea. A certain firm who have not obtained the contract, had made such arrangements and received such assurances, it would appear, that the contract was already regarded as secured. Accordingly, in the advertisement in question, the firm to whom we allude, announces the publica tion of a series of views of the interior and contents, taken by Mr. Francis Bedford! Rumour tells other curious tales on this subject, which we forbear, however, to chronicle. We may mention one incident we have heard related, however, which throws some light on the source of the scurvy treatment photo graphy, generally, has recieved in thisinternational undertaking. Afewdays ago Mr. England wasengagedinphotographingapiece of machinery in the annexe, and had placed an attendant in such a position, as to show relative size, &c., when one of the commis sioners passing, immediately denounced this as a breach of contract, styling the operation as taking “ shilling portraits,” and obtaining a sight of Mr. England’s pass or warrant unhesita tingly appropriated andput it in hispocket! A telegraphic message brought Mr. Nottage, who took prompt measures to have the pass restored, and his staff put on a proper position, safe from further indignities. Without mentioning this commissioner’s name, we may state that it was the same gentleman, who, some time ago in certain evidence before the House of Commons, denounced “photographic professors” as “pests!” Wethen said photographers were obliged by his good opinion. They may now guess how much more they have to thank him for. Uo Corxespondents loper, ana Derore nxing. W nen a slight amount only of additiona Id is required to give decision to a picture full of detail, the samera may be applied after fixing. Dr. Diamond obtains a good effect by a thin negative for a few hours in a bath of old hypo, until the in, sulphuretted. One of the best methods we know of obtaining intenst, retaining delicacy, is that effected by means of bichloride of mercua iodide of potassium ; but requires careful management. Whenne mastered, it is a very efficient method. Avoid overloading the neg a with intensity, or you will certainly bury detail. It is better as a 5" rule to varnish negatives. .g M. A. not having sent us his address, leaves us only this method of thi him, and acknowledging the receipt of a very fine salmon, which a just after going to press last week. On submitting it to the usua cesses of qualitative analysis, such as cooking and eating, it prove®? eminently satisfactory. j S. 8.—Your question is a somewhat indefinite one. « Will one of -2a No. 1 B lenses work more rapidly than other lenses, if both are st down to equal apertures?” ‘‘Other lenses” constitute an excceda indefinite standard of comparison. We presume you probably meala; lenses of the same focal length. This will depend entirely on thecoth tion and diameter of the lenses. In regard to the lens of which you6c it will work more rapidly and perfectly with the same aperture thanl mon lenses of the same focus. J. II. S.—It is probable that thin blue glazed calico will answer your Pl better than the stout calico you describe. But we fear the defect of size, and too little glass is a radical one, and can only be palliate cured. If you can move the house, the best remedy would be foundp placing it that the sitter should face the north ; you would then 8 from the troubles of direct sunlight, and of imperfect illumination," that direct light is shut off. J. A. Slater.—When we state a process as described by another persolgs arc not responsible for any want of clearness or detail in the stately We have pleasure in giving any information or assistance, but ourCo pondent must work out the matter for himself. 2. In dissolvins* time is required, a few hours at least; if you boil and burn it,8e describe, you alter its character. 3. In the process referred o throughout a saturated solution of borax, which will be at the rate ofde one ounce in a pint of water. Borax is soluble in 20 parts of cold’ll 4. When a small quantity of spirits of wine is recommended to bes to a solution, we should judge it to mean about half a drachm tothed Such phrases are used when the operation has been done by guess, P proportions being unimportant. sf J. II. Jones.—Bury’s Rolling Presses are the best and cheapest of whlp have any practical knowledge. We use one of their large ones A it extremely efficient and satisfactory. For prices, see advertise We shall be glad to hear from you. W.—We are glad you have found the method described practically^ and are obliged by your good opinion. We have no intention of n0do such matters as those to which you refer. They are too small for attee and our space is demanded for more important matter. We don'tCg deal in counter-imputations, however easy to establish. It is unnec to disprove what nobody regards or believes. You will see the proP therefore, of not inserting your letter. Negative.— The proportions of pyroxyline altogether depend up®y quality ; hence you will see the propriety of saying in the formula toa you refer, “soluble cotton, quant, suffy Wc have in hand at P samples of cotton, one of which gives a thin film with eight grainsW." ounce of solvents, and another which gives a thicker film with threeke to the ounce. Both yield good collodion, but we prefer the formal physical qualities ; it is much finer, and a more manageable filV Negatives for enlargement should be produced with a collodion g former quality, as a collodion made with cotton like the latter showsi deal of structure, which when magnified is very injurious. As 85 , rule, equal proportions of ether and alcohol will be found most usefu . Photos.—We prefer albumenized prints to be prepared for colouring | by means of gelatine or isinglass. We cannot give you the exactFsaj tions, as we have always mixed it by rule of thumb. We should VI much isinglass as will lay on a penny in a couple of ounces of watlee. solve by heat, and then add a little spirits of wine. It is better tii, too thin than too thick, for in the latter case it will crack off; buA 1 too thin, a second or third coat will make the print all right he V practice will enable you to hit the happy medium between hape, paper in the condition to absorb the medium, and having the Pgofl thick that it will crack off. Bear in mind that oil colours dry veryoss, especially in damp cold weather: the pictures should be kept, if in a room at a temperature of about 60° whilst painting. A littesc “ drier,” sugar of lead, for instance, may be added to colours We ). slowly, but this must be done sparingly. Try the mode of sizing'' t° indicated, and let us know how you get on. 2. We should think ‘‘ % larging on to iodized paper with a good north light, by means of lreda you mention, and a moderate sized stop, would require an expos ar least half an hour, probably more. A bromide in the salting predu, would give increased sensitiveness. 3. We should prefer the Pescda of an enlarged negative on glass and then printing from that, as "yee" in our Almanac for this year, and also by Mr. Heath at a recent of the Photographic Society. 1 jp n C. M. Smartt.—We are glad to find that you have been successi® J paring a non-actinic transparent silk. From the print enclosed, n ol" to be entirely satisfactory. We shall be glad to call the attent . readers to it when we see a sample. Qip W. II. Warner.—We are glad to hear that you are working the en44? pbta cess so successfully, and are kept so fully employed. Thesol therr shall receive attention. We shall have pleasure in receivintsare" Several letters and articles in print, and answers to correspondent pelted to stand over until our next. B. B. L.—It is impossible to give a simple and decided answer to question, as to which is the best method of intensifying. There are5n methods, all good, and each best under certain circumstances, geg skilful operators are masters of all, and apply each to the purpose for it is best suited. Experience alone is a certain guide in this.rere The most commonly used and most generally useful is effected 0 application of pyrogallic acid and silver after washing away the irons loper, and before fixing. When a slight amount only of additional inte.
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