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The photographic news
- Bandzählung
- 27.1883
- Erscheinungsdatum
- 1883
- Sprache
- Englisch
- Signatur
- F 135
- Vorlage
- Hochschule für Grafik und Buchkunst Leipzig
- Digitalisat
- Hochschule für Grafik und Buchkunst Leipzig
- Digitalisat
- SLUB Dresden
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- Public Domain Mark 1.0
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- urn:nbn:de:bsz:14-db-id1780948042-188300004
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- http://digital.slub-dresden.de/id1780948042-18830000
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- Sammlungen
- Fotografie
- LDP: Historische Bestände der Hochschule für Grafik und Buchkunst Leipzig
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- Parlamentsperiode
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- Bandzählung
- No. 1309, October 5, 1883
- Digitalisat
- SLUB Dresden
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Zeitschrift
The photographic news
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Band
Band 27.1883
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- Titelblatt Titelblatt I
- Register Index III
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Band
Band 27.1883
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- Titel
- The photographic news
- Autor
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640 THE PHOTOGRAPHIC NEWS. [October 5, 1883. at a moment’s notice is one of the features of the age. I think I would be photographed myself if I were sure that I had been well enough advertised to create a demand. 1 should stand in front of a shop window for an hour and swell with pride to see the Prince of Wales ticketed Is. 8d., while fourpence extra was asked for “Dagonet.”—Referee. Keeping Time.—Professor Ball, of Dublin, placed on record a fine specimen of an Irish Bull in his speech at the meeting of the British Association. He was talking about the correctness of time-keepers, and he told his audience that none of their watches kept exact time, “for,” said he, “some of them lose one way, and some lose the other.”—Truth. Photo. Portbaits on Linen.—On the d'oyleys used at the dinner given to Mr. Irving was a beautiful photograph of the eminent tragedian himself, encircled with an attractive design in embroidery. The many favourable newspaper comments upon this purely British notion have evidently fired the national enthusiasm of the Yankee, for the manufacturers, Messrs. Baylis, Gillies, and Co., of Newgate Street, London, inform us that they have received an order from one house in America (probably in anticipation of Mr. Irving’s visit) for this same d’oyley, that will amount to upward of £1,600. The same firm supply toilet sets, night-dress cases, and table-covers, as well as d’oyleys, upon which is photographed some one or more celebrity, the collection forming a series of all the principal men and women of the day. The portraits are perfectly fast in washing.—Journal of Fabrics. Photographic Club.—The subject for discussion at the next meeting of this Club, October 10, will be “On the Best Methods of Toning Ready-Sensitized Paper.” o Uoxxesgonents. LEARNER.—You will find all your questions answered in the “ Dictionary ” this week. J. Barwick.—1. There can be no doubt as to the correctness of your view. 2. The proportion of sulphuric acid must be in creased; try one-third more. 3. We fear that it is so far damaged as to be worthless, but you had better take it to a camera maker and obtain his opinion. 4. You are too late, as a patent which covers the idea has been already taken out. 5. Not unless free sulphur is present. 6. Eighteen grains of potassium bichromate, dissolved in one ounce of water. G. C. Griffin.—The marks arise from the use of a collodion which is over-iodized in relation to the bath employed; and you may remedy the mischief either by increasing the strength of your silver bath, or by diluting your collodion with a little plain collo dion. R. Yomans.—You must dry your tissue more rapidly, as bichro mate invariably tends to become insoluble if kept for a long time in a moist condition. Charles Beverley.—He would probably either decline to give you the information, or endeavour to mislead you; as the method is a trade secret of considerable commercial value. Printer.—As far as we can judge from your description, the negative is hopelessly ruined ; and we imagine that your best course will be to obtain a reproduction by photographing one of the prints. Puzzled Assistant.—It is merely another name for collotype, or the usual method of printing directly from a gelatinous film. A. B.—We think it is likely to be due to the accumulation of an incrustation of dirt inside the dishes used. E. Williams.—1. The lens to which you refer is, although excellent, not by any means better than the objectives of English manufacture to which you refer. 2. It is quite similar in con struction and general qualities. 3. Over a very limited area they will define quite as well, but there is a rapid falling of towards the edges. 4. You cannot have a lens more suitable for the pur pose than that you mention, unless you are prepared to sacrifice definition at the margin of the plate. *** We cannot undertake to return rejected communications. Observer.—You are quite light. You will see that this week we let them rest, and have given some of the other old ones a turn. Retoucher.—You had better use either dilute gum-water, or ono part of white of egg, with four or five of water. Let it tho roughly dry before you proceed with the work. J. W. B.—A pigmented tissue is made up with vitrifiable colour instead of the usual carbonaceous colours, and the print is deve loped upon the surface of the porcelain. The gelatine becomes burned away during the process of firing. You may obtain suitable colours either from a manufacturer of potters’ colours, or from an artists’ colourman. M.—Apply to Messrs. Maclure and Macdonald, Queen Victoria Street. C. R. O.—Details shall be published next week. B. A.—You will find what you require in another column. B. J. T.—When a transparency is to be made for enlarging, it is usual to use a tissue somewhat more highly pigmented than that required for making ordinary prints. The exposure should be sufficient to give full force to the details in the lights, and care should be taken that there are no floating particles in the water used for developing the transparencies. Beginner.—Nitrate of potassium is not at all likely to answer the purpose. You have perhaps made some mistake in the name. Litho.—1. Soak it thoroughly before applying the ink. 2. Not unless a trace of acid is present to decompose the soap. 3. In the proportion of one part of ammonium bichromate to five parts of gelatine. 4. It is liable to cause the gelatine to become insoluble during the time of drying. Operator.—-!. Unless we misunderstand the position of affairs, we should think you would do well to give up the negatives at once. 2. It seems to us that unless the damage was done intentionally— and this can be very clearly proved—it will be impossible to do as you propose. 3. We can form no opinion. 4. Yes. Amateur.—1. Coat it with a thick layer of bitumenous varnish. 2. Increase the proportion of alcohol. Warwick Grey.—Either of the lenses will do your work thoroughly, and they are about the same price. F. Denman.—The sensitizing solution becomes weaker by use, owing to the abstraction of silver; and if you constantly make up its volume with an eighty-grain solution of nitrate of silver, it Will not be likely to go far wrong. Photo. Experimentalist.—If you place the stop behind the lens, as you propose, the direction of the distortion will be reversed; so tiat of a square would appear as a pincushion- shaped figure. C. Johnson — There isnot any advantage gained by so doing, and we recommend you not to make the proposed change. Bath.—Four ounses, dissolved in a pint of water. Nitrate.—The chalk simply serves to neutralise the free acid. Uhe Pqotographir Zlews Registry. Employment Wanted. Reception Room or Spotter (Lady).—K. IL, 7, Marlbro’-rd., Up. Holloway: Assistant (Youth).—M. J., Photo. News Office, 5, Castle-st., Holborn, E.C. Pi inter and Toner.—Photo., 4, Gordon-rd., Hornsey, N. Operator and Retoucher (£3 3s. weekly).—W., c/o Elliott. 36, Jewin-st., E.C. Operator or Assist (dry plates).—A. J. A., 10, Stockbridge-ter., Pimlico. Printer and Toner.—Nemo, c/o Newsagent, 9, Balls Pond-rd., N. Retoucher & Assistant Operator.—A. B., 10G, Haxton-rd., Scarborough. Operator or Manager.—Operator, Photo. Nexus Office. Operator & Retoucher (35s.).— D. Moll, c/o J. Mull, 35, High-st., Chatham Printer (26s. weekly).—W. II. R., c/o Emil Vieler, Photo, Huddersfield Operator, Retoucher, or Manager.— F. E., Photographic Nexus Office. Operator, high-class.—Veritas, Photographic News Office. Toner and Printer.—A. W., 1, Lee-st., Kingsland. Reception Room (Lady).—W. P., 40, Netherwood-rd., Shepherd’s Bush. Manager.— Bonatide, Hartington-ter., E. Dereham. Printer and Toner.—W. M., 105, Longmore-st., Birmingham. Retouching, Tinting (Lady).—H. J. A., Buckingham-st., Brighton. Landscape Operator.—A. B., Post Office, Aberdeen. Retoucher (German).—Louis Brure, Myrtle-villa, Puller-rd., W. Barnet. Finishing Enlargements (Lady).—L. E., Spring House, Merton, S.E. Collotypic Printer (first-class).—F. R. D., Photographic News Office. Improver; print, tone, mount, &c.—Z., W. Gregory, High-st., Marlboro . Operator, Retoucher, and Gen. Assist.—Edwards, G, Peters-st., Gravesend. Woodburytype & Stannotype.— F. II. R., 6, Upton- villas, Norwood Junction. First Operator or Manager (first-class).— G. E. L., 4, Ball-st., Kensington. Operator (first-class).—1, St. John's-place, St. Peter’s, near Ramsgate. Employment Offered. Assistant & Portrait Painter.—Personally, 43, Piccadilly. Reception Room and Retouching.—Personally, 43, Piccadilly. Artist, for club work, &c.—Messrs. Stuart, 47, Brompton-rd , S.W. . Artist and Retoucher (Lady).—F. Charles, Belgrave-villa, Knock, Belfast. Entire Duties of Studio.—T. T., 19, Moor-st., Chepstow. Operator (dry-plate).—A. Z., Photo. News Office. Young Man to keep books, &c.—H. Spink, Brighton. Ladies to Paint club pictures.—F. J. Robinson, 8. Lowestoft. Assistant, for large work.—P. W., c/o Marion & Co., Soho-sq. Negative Retoucher (Lady).—W. II. Midwinter, Park-st., Bristol. Assistant (for two months).—Mr. Thompson, Omagh, Ireland. Albumenizers, Floaters.—“ Sun ” Alb. Co., 37, Westcroft-sq., Hammersmi Artist (to work-up colours).—T. C. Turner & Co., Barnsbury. Operator, wet and dry.—A & G. Taylor, Queen Victoria-st., E.O. Artistic Retoucher.—W. Lawrence, Upper Sackville-st., Dublin. Reception Room (woman).—Barnes A Son, 422, Mile End-rd , E. Printer & Toner.—Barnes & Son, 422, Mile End Road, E. Operator (single) for Bombay.—R. B., Marion and Co., Soho-sq , W. Portrait Painter in Oil.—W. W., 3, Norfolk-villas, Larkhall-rise, ClaphaN Printer, Vignetter, & Toner (30/-).—T. C. Turner, 10, Barnsbury-park, N‘ Improver, immediately (board found).—J. Willis, Manor-rd., Gravesn • Artist (first-class) for occasional work.—A. B., Photographic News - Operator and Retoucher for Oxford.—Taunt & Co., Oxford. . Transfer Hand (first-class).—A. & G. Taylor, Queen Victoria-st,: g Operator & Retoucher, & Young Lady (kecep.-rm.)—42-Laurencerde, Assistant or Mun. Philosoph. Instrum, Makers,—Pyro./ Photo, • ews v
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