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The photographic news
- Bandzählung
- 27.1883
- Erscheinungsdatum
- 1883
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- Englisch
- Signatur
- F 135
- Vorlage
- Hochschule für Grafik und Buchkunst Leipzig
- Digitalisat
- Hochschule für Grafik und Buchkunst Leipzig
- Digitalisat
- SLUB Dresden
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- Public Domain Mark 1.0
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- urn:nbn:de:bsz:14-db-id1780948042-188300004
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- http://digital.slub-dresden.de/id1780948042-18830000
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- Sammlungen
- Fotografie
- LDP: Historische Bestände der Hochschule für Grafik und Buchkunst Leipzig
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- Parlamentsperiode
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- Bandzählung
- No. 1307, September 21, 1883
- Digitalisat
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Zeitschrift
The photographic news
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- Titelblatt Titelblatt I
- Register Index III
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- The photographic news
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MEDAILLOX Pictures.—Mr. James S. Catford, of Ilfracombe, referring to our recent article on Medallions, or Glass-mounted Photographs, is good enough to forward half a dozen charming productions of his own ; the photographs include scenes on the Lynn, at Ilfracombe and Clovelly, the semi-transparency imparted to the pictures by their close contact to the glass adding much to the general appearance. In elegant brass frames and fitted with cloth backs and suitable rings, the-purchaser has them fit and ready for hanging. A Taking Book.—Mr. Baden Pritchard’s interesting volume about “ Photography and Photographers ” ought to have a wide circulation among the brethren of the craft, who naturally are possessed more than other men by the spirit of camera-derie.— Funny folks. It is said that Lord Cairns has bought up all the shop portraits of his future daughter-in-law, and that she has promised not to sit again. She is not to sit, because the family could not stand —that is, conld not stand the idea of seeing her in theatrical attire side by side with other, but perhaps less correct, luminaries of the stage, all to be had for the small charge of one shilling.—Referee. To Test Anilin Colours .—-Mineral adulterants are readily detected. Pure anilin colours leave no appreciable residue after ignition. Fifty per cent, of sugar is sometimes found the most common adulterant. To detect it, dissolve the sample in a mixture of alcohol and ether, in which sugar is insoluble. Even pure colours vary in quality. The practical test for this is a standard kept on hand. Equal amounts of this and of the sample to be tested are made into similar solutions, and, into these, portions of white woollen yarn, merino, or cassimere are dipped, and, after heating a sufficient time, removed, washed, and dried. The difference in colour will show the relative values of the two substances. Instead of making a test-solution of the standard each time, the fragments of stuffs dyed with it may be pasted in a book for reference. But care must be used to exclude light, which will in time cause the colour to fade.— New Remedies. *** We cannot undertake to return rejected communications. E. M.—If you will send us a piece of the unsensitized paper we will examine it microscopically, and compare the surface with that of the finished prints. A Constant Reader.—The only method of which we know is to well wax the surface of the dry gelatine film. C. R. B. D.—It is out of print, but you may obtain a copy by advertising for it. Some chloride is probably present as an impurity. H. R. Warrington.—1. If the rich colour of the print as it comes from the frame could be retained, toning would often be un necessary. 2. Seethe ‘‘Dictionary.” 3. Do not use it too hot, as it swells the grain of the paper, and makes the prints mealy. When we wish to expedite the washing, we frequently use alter nate baths of warm water and cold water. C. E. Aldridge.—1. One could hardly call the definition good, but we fancy that much of the blurring of the lines arises from movement of the camera. Make your stand as steady as you can, and take care not to shake it when you expose ? 2. We can only explain it by assuming that there is no gold left in the solution. A sheet of paper, if deeply printed and fully toned, takes about four times as much gold as you appear to suppose. 3. You will find that the precipitate will dissolve readily in acetic acid; but as it is not desirable to make the liquid permanently acid, you had better content yourself with mere filtration. V. Ridgeway.—1. It is merely a form of starch, and we have not tried the experiment, but we imagine that there would be no advantage in using it for the purpose. 2. Nothing which we have ever seen is absolutehj black. 3. Only half the quantity is required. M. M.—We think that they can. A Learner.—1. It is convenient to put it on stone first, as it is then easy to retouch either by addition or subtraction. 2. It is not exactly either one or the other, as you may find by carefully reading the description. We shall shortly publish a detailed article on the management of the velvet roller. W. H. M.—At the Gallery, Pall Mall, unless they are packed. See Note in the present issue. Climax.—Sulphuric acid will answer very well, but we prefer chloride of calcium. Constant Reader.—You may just'as reasonably ask, which is the larger—a lump of chalk, or a piece of flint ? All depends on circumstances ; and if you will explain the object you have in view, we will endeavour to advise you. D. Davis.—Although ebonite contains about half its weight of sulphur, it is so far fixed as to be harmless in such a case. Benjamin C >.—1. Hot nitric acid oxidizes it rapidly, oxalic acid being formed; but the reaction of cold nitric acid is quite different, a portion of the hydrogen being replaced by the radical of nitric acid. 2. Why not ? M. B. Caplin.—Judging from your description, wo think that the instiument was not constructed for photographic purposes ; possi bly it may be an old-fashioned lantern lens. W. BRANDSFORD.—Probably the amount of silver recovered will not be sufficient to pay for the loss of time involved in treating it separately ; but, if you keep your paper cuttings, you might burn it along with the next batch. E. D. G.—A weak solution of the so-called “ chloride of lime,” or bleaching powder, will answer the purpose, its activity being increased by the addition of a small proportion of acetic acid. J. Wood.—Perhaps you used methylated finish} we can only account for the spots by assuming this. Chas. Sutton.—It is no use obtaining it ready sensitised, as it seldom remains in good condition more than two days after having been sensitized. W. T. P.—Thank you for the offer. B. A.—More space would be required than we can spare in this place; but a leader upon the subject will appeal either in the next or the following number. Ue Dqotographit Nebs Begistry. Employment Wanted. Retoucher, Operator, &c.—M. E. B., 34, Willis-road, Kentish Town, N.W. Reception Room, Mounting, &c.—Miss Faulkner, Park-st., Camden Town. Mounter, Spotter, Reception Room, Books.—Q. Y., Ordnance-st., Chatham. Improver and all-round hand.—M. R. C , 34, Kingsland High-street, E. Painting Photos, and Opals, &c. (Lady).—A. B., 40, Ship-street, Brighton. Operator, Retoucher, &c.— W., 95, The Grove, Hammersmith, W. First Operator or Manager.—L. Sawyer, Barras-bridge, Newcastle-on-Tyne. Operator & Retoucher, or manage.—E. Austin, 6, Lyndhurst-ter., Worthing. Operator and Retoucher, £3 3s. per week.—W., c/o Elliott, 36, Jewin-st.,E.C Operator, for copying.—A. Butteral, 6, Bull-and-mouth-st., E.C. Improver (studio and. out-door work).—W. C , Photographic News Office. Manager (first-class).—Pyro., 50, Gilbert-road, Kennington, S.E. Improver (Lady).—R. C., c/o Edwin Stevens, Stationer,Kentist-town. Printer & Vignetter.—Bromide, 19, South-street, David-street, Edinburgh. Printer (permanency), 25/- per week.—Photo., 4, Gordon-rd., Hornsey, N. Retoucher.—M. M., Photographic News Office, 5, Castle-st., Holborn, E.C. Ketoucher (first-class).—J. A. Henstock, 3, Regent-street, Derby. Retouch. & Recep.-room (Lady).—M. A. Martin, 5, Cranbourn-st., Brighton. Artist, work for firms.—Vandyke, Photographic News Office. Operator and Retoucher.—L. Norman, 20, South Parade, Chelsea. Portrait Painter.—Silver, 232, New John-strect, W. Birmingham. Reception Room or Spotter (Lady).—K. H., 7, Marlbro’-rd., Up. Holloway. Assistant (Youth).—M. J., Photo. News Office, 5, Castle-st.,Holborn, E.C. Printer and Toner.—Photo., 4, Gordon-rd., Hornsey, N. Operator and Retoucher (£3 3s. weekly).— W., c/o Elliott, 36, Jewin-st., E.C. Operator or Assist, (dry plates).—A. J. A., 10, Stockbridge-ter., Pimlico. Printer and Toner.—Nemo, c/o Newsagent, 9, Balls Pond-rd., N. Retoucher & Assistant Operator.—A. B., 106, Haxton-rd., Scarborough. Operator or Manager.—Operator, Photo. Nexus Office. Operator & Retoucher (35s.).—D. Moll, c/o J. Moll, 35, High-st., Chatham. Printer (26s. weekly).—W. H. R., c/o Emil Vieler, Photo., Huddersfield* Employment Offered. Dry Plate Maker. — W. Barry, 7, Park Street, Hull. Dry Plate Work (first-class).—J. Lafayette, 30, Westmoreland-st., Dublin. Operator for Large Work.—E. Meyerstein, 84, Newgate-strcet, E.C. Reception Room, &c. (Lady).—Mr. Gandy, 5, Bishopsgate-without, E.C. Printer, who can take negative.—J. Long, Crockherb town, Cardiff. Retoucher (Lady), at£l Is. weekly.—S., Photographic News Office. Collotypist Printer.—M. Billing, Son, & Co., Livery-street, Birmingham. Printer (few weeks).—T. C. Turner, 10, Barnsbury-park, Barnsbury, N. Operator or Manager.— F. M. V„ Loretto House, Clacton-on-Sea. Chromotype Printer.—Heath & Bullingham, 24, George-Street, Plymouth. Assistant Operator and Retoucher.—J. White, Ipswich. Assistant Retoucher.—Bull and Co., 13, Narrow-street, Peterborough. Retoucher (first-class).—J. E. Bliss, 7, St. Andrews-street, Cambridge. Operator and Retoucher.—J. E. Bliss, 7, St. Andrews-street, Cambridge. Operator (immed.).—S. Butler, Montague-house, N. Station-rd., Colchester. Assistant Operator.—Barnes & Son, 422, Mile End Road, E. Transfers in Oil (Lady).—F.‘J. Robinson, South Lowestoft. Assistant & Portrait Painter.—Personally, 43, Piccadilly. Reception Room and Retouching.—Personally, 43, Piccadilly. Artist, for club work, &c.—Messrs. Stuart, 47, Brompton-rd., S.W. Artist and Retoucher (Lady).—F. Charles, Belgrave-villa, Knock, Belfast. Entire Duties of Studio.—T. T., 19, Moor-st., Chepstow. Operator (dry-plate).—A. Z., Photo. News Office. “Will be found pleasant and entertaining reading.”—Daily Chronicle. Price 2s., Per Post 2s. 2d. A bout photography and photo graphers. A Series of Essays for the Studio and Study, to which are added Continental Rambles with a Camera by H. Baden PRITCHARD, F.C.S.— PIER and CARTER, 5, Oastie Street, Holborn, E.C.
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