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The photographic news
- Bandzählung
- 29.1885
- Erscheinungsdatum
- 1885
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- Englisch
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- Hochschule für Grafik und Buchkunst Leipzig
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- Hochschule für Grafik und Buchkunst Leipzig
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- http://digital.slub-dresden.de/id1780948042-18850000
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- Bandzählung
- No. 1374, January 2, 1885
- Digitalisat
- SLUB Dresden
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Zeitschrift
The photographic news
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Band 29.1885
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- Register Index III
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flame ; and it will be seen how some rays from the radiant may be brought to a focus outside the tube of the objec tive, and others at the extreme edges and inside the tube ; a condition of things which not only occasions a loss of light, but also unsharpness at the edges of the field. NORTHAMPTON EXHIBITION. Third Notice. “Waiting for Nursie” and “This Little Pig went to Market” (115, 116), by T. Whaley, are two domestic studies far above the average. The latter is very good in composition, and the little story is extremely well told. T. M. Brownrigg sends a large number of extremely fine landscapes, all of which exhibit fine taste in selection, and great technical knowledge. They are all of large dimen sions, and are bold in treatment, and yet there is no want of delicacy in the details. To No. 315, “On the Way,” has been awarded a silver medal. Mr. H. P. Robsinson, to some of whose pictures we referred to in our previous notice, is a large exhibitor. The well-known “ Wayside Gossip ” is here, and is without doubt one of the finest pictures ever produced by photography. “ The Mill Door,” “The Stream in Summer,” “The Music of the Birds,” “ Come Across,” and many others, all well-known favourites, are here, and are seen to great advantage, for they are all well hung, and form an important feature of the principal wall of the gallery. “ He never told his love,” full of humour and fresh as ever, is also here, as well as the “ Nor’easter,” so much admired at Pall Mall a year or two ago. “At the Wheel” (126), by Geo. Hadley, is the fine nautical study re-produced in these pages a fort night ago. A series of studies of expression by R. Faulkner showthat master of infantine portraiture at his best, while “ Phyllis Frere" (136) is perhaps the finest example of portraiture in the room, and is worthy of Sir Joshua Reynolds himself. C. Wyrall shows great diversity of talent. His well- known instantaneous studies of athletic sports at Aider shot (395) are here, as well as some capital examples of boy life, notably “ Peg in the ring ” (448), and “ Shoot Fair ” (449) ; but besides these he has some capital land scapes— "Elstead Bridge” (154) being perhaps actually the best. “Getting under weigh” (152) is an extremely good marine study, and gains immensely by enlargement. This is by R. Slingsby, whose picture “ Homeward” was described last week, but the name omitted by oversight. He also exhibits a very beautiful group of children, “ Tales of other Lands ” (159). This is an oblong picture, and is broad in effect and most artistic in treatment. “ A portrait of a young girl” (163), by Abel Lewis, is the only example of portraiture sent by him. It is an enlarge ment, and is printed in red chalk. Dainty and delicate in the extreme, it has one fault—the beautiful profile of the child is all that could be desired, but the figure is posed too close to the background, and there is great stiffness in the pose in consequence. It is, however, a charming study, notwithstanding. “ Wroxton Abbey” (166), by G. Mould, is a good pic ture, as well as a fine photograph. “After the Day’s Toil” (178), by T. Whaley, is a good composition picture. Italian girls are eagerly counting money. The back ground is an architectural one, and a distant view at the left-hand corner is well introduced, and gives reality to the scene. “Reading the News,” by John Terras, is a capital picture—well planned, and well carried out. It is a cottage interior, simple and homely—homely, too, the figure enjoying his newspaper and his well-earned repose at the same time. There is not the slightest suggestion of studio accessories about the mise-en-scene, and the result is a great success. “ A Reverie ” is a landscape compo sition by E. Smith ells, and is very nearly a successful picture; bnt the female figure leaning against the trunk of an old tree in the foreground is so stiffly posed against it, that it quite spoils an otherwise harmonious landscape. T. J. Dixon has sent a large number of very fine carbon enlargements of animals in the “Zoo,” and hence very justly taken the silver medal for enlargements done by the exhibitor. “ Queen’s Cross, Northampton ” (201), by H. Manfield, is one of the three Eleanor Crosses still remain ing, and is interesting alike to the antiquary and the lover of the picturesque. This gentleman has sent a large col lection of pictures, all of the highest merit, but they are all marked “not for competition,” being the work of the most energetic secretary. “The Half-Holiday ” (203) has carried off the bronze medal offered for local views, and is the work of C. Law. It is a thoroughly English country lane, and the children evidently like the sport. W. McLeish sends some of his well known river scenes, but they have often before been described in these pages. The arctic scenes by W. J. A. Grant are wonderful examples of successful photography under great diffi culties. S. J. Newman sends some capital landscapes, but being the work of a member of the committee, they are marked “not for competition.” The work of the School of Military Engineering is very fine, and we were parti cularly struck with “ Bridge on the Lynn ” (280), and “ Study of Trees, Lynn Valley ” (281). F. M. Sutcliffe sends some of his most artistic marine studies, and they quite deserve the medal awarded to them. The yacht studies of H. Symonds are extremely good, and are taken from a sailing boat. The interiors of Straw berry Hill are of large size, and are very perfect. They are by T. Fall, and a bronze medal has been awarded to them. The Rev. S. J. W. Sanders sends a large quantity of capital work, all marked “not for competition”— “Compton Wynyates” (303) being particularly worthy of notice. The Hon. Mrs. Hamborough’s large photo graphs mark the enthusiastic worker, for they are on 12 by 10 plates, and while some of them are rather hard from under-exposure, others are extremely good, and they all show artistic skill. G. Renwick has a number of his artistic snow scenes, but they have been described before in these pages. The Alpine scenes by W. F. Donkin are most effective on these well-lit walls, and all their exquisite delicacy is fully evident. “ Venetian Boats,” by Robinson V. Thompson, is skied, but the artistic treatment tells, in spite of the elevated position. The large portraits direct from life (317), by J. La fayette, have worthily taken a medal. J. P. Gibson’s landscapes are most artistic ; they are low in tone, but extremely harmonious, and to 319, “ An Autumn Evening on the South Tyne,” a bronze medal has been given ; but 321, “ At the Foot of the Tinkling Fall,” is quite as beauti ful. Andrew Pringle sends a series of his well-known landscapes, but as he is one of the Jurors, they'do not compete for medals. E. Brightman has a large series of very fine pictures, all so extremely good that it is difficult to particularize ; “ An Interior of a Mansion of the Olden Time,” and “ Lyn- mouth Village,” may be specially mentioned for their artistic merit, and the first-named, from the extreme con trast between the time-blackened oak panelled walls and the white stone of the grand old chimney-piece, offers as difficult a subject as could well be conceived. That most artistic picture, “The Old Inn Yard,” reproduced recently in these pages, is here, and, though skied, is well seen. Abel Lewis sends three very fine marine studies, and to “ Douglass Harbour ”a medal has been rightly awarded. Mr. R. G. Scriven sends some very good work, 559,
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