IV CONTENTS OP YOL. II. CHAPTER V. Culmination of Siennese art — The Lorenzetti ■— Works of Pietro Loren- zetti in various places : His frescoes at S. Francesco of Sienna, in S. Francesco of Assisi, and in the Campo Santo of Pisa — Ambrogio Lorenzetti: His frescoes in Sienna, and other creations — Paolo del Maestro Neri, Bartolo di Fredi, Andrea Yanni .. Page 117 to 155 CHAPTER VI. Decline of Siennese art — Taddeo Bartoli, and subordinate mas ters 156 to 181 CHAPTER VII. Character and development of the early Umbrian school — Oderisio, Palmerucci, and other painters of Gubbio—’Allegretto — Ghissi, and other artists of Fabriano — Early Perugian art, and Umbro-Siennese efforts at Orvieto 182 to 204 CHAPTER VIII. Progress of painting in the fourteenth century at Bologna, Modena, Ferrara, and Pistoia . 205 to 230 CHAPTER IX. Causes which affected early art at Verona and Padua—Alticliiero and Avanzi — Frescoes at Padua, and similar productions at Verona — Giusto Giovanni—the Salone of Padua — Guariento — Cotemporary crafts men at Milan, Parma, and Piacenza; in Friuli and Venice 231 to 270 CHAPTER X. Changes in Florentine art superinduced by changes in the current of thought and policy in the fifteenth century — Brunelleschi, Ghiberti, and Donato 271 to 282 CHAPTER XI. Florentine realists and students of perspective — Paolo Uccelli — Dello Delli .. 283 to 301
