Chap. XVI. FRANCESCO GRANACCI. 541 We believe that Granacci surrendered himself to scene painting chiefly when he joined the atelier of Ridolfo Ghirlandaio, after his return from Rome and his quarrel with Michael Angelo. As Ridolfo’s partner probably he assisted in valuing Mariotto’s Annunciation in 1510 j 1 and in the same subordinate position he painted standards, theatrical hangings, and one of the triumphal arches at Florence, in 1516, at the solemn entrance of Leo the Tenth. 2 He also furnished cartoons for glass to the brotherhood of the Gesuati. 3 But he lived for many years after that, making a will in 1533, 4 and died in 1543, 5 without our being able to ascertain whether he was intrusted in the interval with any great or inde pendent commissions. 3 1 Vas. VII. 185. * Vas. VIII. 2C7; IX. 218—19. 3 Vas. IX. 221. 4 Gaye, Carteggio, II. 4G8. 5 Tav. Alfab. ad lit. He was buried in S. Apostolo at Florence. n Amongst the missing works of Granacci we note scenes from the * life of Joseph mentioned by Vas. IX. 220. We have not seen the Virgin and two children, SS. Zano- bius, and Francis, once in S. Gallo (Vas. IX. 221), and said to belong to the brothers Govoni at Florence (annot. ib. ib. ib.).