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C 381 ) CHAPTER XXXIV. LACE MANUFACTURES OF SCOTLAND. “ Sae put on your pearlins, Marion, And kirtle o’ the cramasie.” Scottish Song. During the treasonable year of ’45, Scotland was far too occupied with her risings and executions to give much attention to her national industry. Up to that time considerable pains had been taken to improve the spinning of fine thread, prizes had been awarded, and the art taught in schools and other charitable institutions. It was not till the middle of the eighteenth century that Anne, Duchess of Hamilton, known to society by tradition as “ one of the beautiful Miss Gunnings, ” seeing lace-makers at work when travelling on the continent, thought employment might be given to the women of her own country by introducing the art into Scotland. The duchess therefore brought over women from France, and caused them to teach the girls in her schools how to make “ bunt lace, ” as it was termed. Sir John Sinclair thus notices the school :—“ A small manu facture of thread lace has long been carried on here. At an early period it was the occupation of a good many women, but, from the fluctuation of fashion, it has fallen greatly into disuse. Fashion again revived the demand, and the late Duchess of Hamilton, afterwards of Argyle, found still some lace-workers remaining, to whom her own demand, and that of those who followed her example, gave employment To these her Grace added twelve orphan girls, who were clothed, maintained, and taught at her expense. Others learned the art, and while the demand lasted, the manufacture employed a good many hands. Though the number is again diminished, there are still above forty at the business, who make handsome laces of different patterns, besides those who work occasionally for themselves or their friends. Per-