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64 JOHN RUTHERFORD is said to survive now, if at all, not among our artists by profession, whose taste is expended upon higher objects, but among the common workmen of our villages, who have pursued it as an amusement, long after it has ceased to be profitable. The New Zealand artist has no lathe to compete with; but neither has he even those ordinary hand-tools which every civilized country has always afforded. The only instru ments he has to cut with are rudely fashioned of stone or bone. Yet even with these, his skill and patient perseverance contrive to grave the wood into any forms which his fancy may suggest. Many of the carvings thus produced are distinguished by both a grace and richness of design that would do no discredit even to European art. The considerations by which the New Zealanders are directed in choosing the sites of their villages are the same which usually regulate that matter among other savages. The North American Indians, for example, generally build their huts on the sides of some moderately sized hill, that they may have the advantage of the ground in case of being attacked by their enemies, or on the bank of a river, which may, in such an emergency, serve them for a natural moat. A situation in which they are protected by the water on more sides than one is preferred; and, accordingly, both on this account, and for the sake of being near the sea,