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half-way up. Upon one stalk he had a hundred and nine flowers, of a greenish yellow colour; and he had made some very strong ropes from the leaves, from which he had obtained the flax by a very simple process. According to Rutherford, the natives, after having cut it down, and brought it home green in bundles, in which state it is called “koradee,” scrape it with a large mussel-shell, and take the heart out of it, splitting it with the nails of their thumbs, which for that purpose they keep very long. It would seem, however, that the natives have made instruments for dressing this flax not very dissimilar from the tools of our own wool-combers. The outside they throw away, and the rest they spread out for several days in the sun to dry, which makes it as white as snow. In this prepared state it is, he says, called “mooka.” They spin it, he adds, in a double thread, with the hand on the thigh, and then work it into mats, also by the hand: three women may work on one mat at a time. Nicholas, on one occasion, saw Duaterra’s head wife employed in weaving. The mat on which she was engaged was one of an open texture, and “she performed her work,” says the author, “with wooden pegs stuck in the ground at equal distances from each other, to which having tied the threads that formed the woof, she took up six threads with the two composing the warp, knotting them carefully together.” “It was astonishing,” he says,