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The photographic news
- Bandzählung
- 7.1863
- Erscheinungsdatum
- 1863
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- Englisch
- Signatur
- F 135
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- Hochschule für Grafik und Buchkunst Leipzig
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- Hochschule für Grafik und Buchkunst Leipzig
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- SLUB Dresden
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- http://digital.slub-dresden.de/id1780948042-18630000
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- LDP: Historische Bestände der Hochschule für Grafik und Buchkunst Leipzig
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- Parlamentsperiode
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- Bandzählung
- No. 234, February 27, 1863
- Digitalisat
- SLUB Dresden
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Zeitschrift
The photographic news
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Band 7.1863
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- Register Index 619
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Band 7.1863
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108 THE PHOTOGRAPHIC NEWS. [February 27, 1863. Ulk hr th Studio. PHOTOCRAPHIC Exhibition.—We must remind our readers that the Exhibition closes on the 2nd of March, and that it is now open in the evenings. South London Photographic Society.—We are requested to inform the members of this Society that the address of the secretary, Mr. Alfred Harman, is now, 7, Gunnersbury Villas, Harder’s Road, Peckham, S.E. Mr. Harman has recently dis solved all connection with his late partner, Mr. Dages, and is now engaged in business at the above address. Bullock’s Mounting Machine.—This is a cleverly con trived aid to the mounting of card portraits. A raised plate, the exact size of the print, is fixed in the centre of a piece of mahogany. At each end is a hand or “ gripper ” resting on a spring; these hold the print in its place whilst it is pasted. The card is then laid upon it, the edge touching certain guides which give exactly the right margin on the card. The points are then slipped off the print, the card pressed down, and the operation is complete. Perhaps this seems more complicated in description than it is in fact; and we are assured that a great saving of time and increase in the neatness of the mounting is obtained by the use of this little contrivance. Sutton’s Patent ALBUNENIZED Paper.—We are informed that the manipulatory difficulties attending the production of this new paper are now nearly, if not entirely, removed, and that Messrs. Lampray, Tibbitts and Co., will be prepared shortly to supply it to the public. We have seen some proofs on this paper produced in an early stage of the experiments when the modus operandi was in a comparatively crude state, which were highly satisfactory. The surface of the paper being peculiarly delicate and grainless. The advantages claimed for this paper are, mainly, that it has an unusually fine surface, that it produces a better tone, and greater detail, especially in very deep shadows ; that it is free from mealiness, and that really bad prints are almost impossible. We understand that shortly a fine collection of prints on this patent paper, the production of different distinguished artists, will be ready for inspection at the establishment of the manufacturers. Some of the prints are on tinted paper, producing a very pleasing effect. • Uo Correspondents. Several columns of Advertisements are compelled to stand over for want of space. Photographic News Almanac, and Year-Book of Photo graphy.—This work is now reprinted, and is ready for issue. Photo. A.—The streakiness in the direction of the dip may arise from several causes. A very common and generally efficient remedy is the addition of a little acid. It will sometimes arise from the accumulation of ether and alcohol in the bath, and in that case, removing these by evaporation is necessary. It will sometimes occur from the presence of organic matter in the bath, in that case, a simple remedy, generally efficient, is the addi tion of a little bicarbonate of soda, just sufficient to cause a slight precipitate, which is not redissolved on agitation. Then place the bath in the sun for an hour or two, and afterwards filter, and if necessary, acidify. A strong bath generally favours vigour, but increases the tendency to stains. S. Chester.—The line to which you refer means simply what it says : « dis tilled water 1000 grains that is, 2 ounces and 40 minims of distilled water ; but we phrased it in the words of M. Jeanrenaud. R. T. W.—The specimens are very creditable for an amateur with few oppor tunities. You will obtain a better idea of your chances as an operator and of the remuneration, by answering some of the many advertisements for assistants which constantly appear in our columns, than we can give you. 2. Chloride of lime is often used for cleaning or removing discolour ation of engravings ; but we cannot tell whether it will remove the stains to which you refer. J. R. II.—The rapid discolouration of the silver bath often proceeds from some peculiarity of the albumenized paper ; but we have not met with a case which resisted attempts to clear by citric acid, kaolin, &c. We can only recommend you to make the bath neutral, or slightly alkaline, and then add solution of citric acid until a precipitate takes place ; this will most likely clear it. Sunning the bath after it has been rendered alkaline, will also clear it. When using common water you should not add any acid or you may dissolve some of the insoluble salts which helped to keep the bath clear. F. L. E.— There are several methods of photographic engraving by the aid of bitumen. You will find a summarised history of several on page 71, vol. i., of the Photographic News ; on page 247(of the same volume you will find particulars of the original process of M. Niecephore Niepce ; on pages 133 and 158, of our second volume, you will find a process by M. Bertchold. The most detailed account of the process of M. Niepce de St. Victor and M. Lemaitre, that we know, is given in Monckhoven's Trade General de Photographie, of which a new edition has just been published. J USTITIA.— A photograph published or sold before the passing of the New Copy right Act is not protected, and you have no remedy against the piracy. 2. The defect in the pictures received is mealiness. Many remedies have appeared in our pages, many of which are at times useful; but sometimes the defect seems to defy all remedy. Read the various articles we have published on the subject The defect is much more common with thin than with vigorous negatives. There are no especial instructions to be observed in making the acetate bath, beyond following the formula, and keeping the solution a few days before using it. 3 You have light too evenly all round the sitter; more side light and less front light is desirable, this will give more vigour and roundness to your figures. J. Burgess.—Your letter did not contain the sample of paper alluded to. Albumenized paper prepared with fresh eggs, and 24 grains of chloride of ammonium will doubtless make a good paper, but will require a very strong silver bath. We should prefer half the quantity of chloride. M. A.— Ammonia-nitrate, when successfully worked, gives very rich deep tones ; but there is no fault to be found with the tones of the cards enclosed. 2. A newly iodized collodion, especially if it contain cadmium, generally has a tendency to give veiled negatives. It sometimes happens that the veil does interfere with the quality of the print, if the relations between lights and shadows are properly preserved ; but it retards the printing very much. 3. As a general principle a bath for landscape pur poses will bear more acid than one for portrait negatives. If your tannin plates have a tendency to fog, the bath should have more acid. 4. The Photographic Year-Book is reprinted. The Photographic Exhibition closes on the second of March. A Constant Reader.—If albumenized paper be quite dry when placed in the printing-frame, it ought not to cockle. It is probable that the back of the frame is damp in such case. 2. A piece of felt is a good thing to place upon the print in the frame. 3. When the free nitrate solution collects on the plate in streams during exposure, it indicates that the plate had not been suli- ciently long in the bath ; that the collodion is of a very repellant character, and may be remedied by the addition of a drop or two of distilled water, or that the bath is very old. We do not like redipping in the bath as it often causes fog. 4. The imperfect surface to which you refer is too generally de scribed to enable us to help you. If we saw a specimen we could perhaps give some advice. 5. The cause of varnish cracking has been the subject of much discussion; it is generally believed that damp is the primary cause. 6. We prefer the lenses of the best English makers to any French ones. R. G.—It entirely depends on the size of a dish, whether one made entirely of gutta-percha, or one of wood lined with gutta-percha, will be cheaper. If very large, the latter will probably cost less and be more useful. 2. To precipitate silver from hypo solutions, use liver of sulphur. No Name.—We received an envelope from some of our correspondents, posted in the West Central district, in which the letter had been omitted. The envelope was unsealed as well as empty, with a note on it from the local postmaster saying it was received so. This being the case, we do not know whether the letter had never been put in, or lost out, only that we have nothing to answer. An article on " Glass Rooms,” with a Diagram of Mr. Rejlander's studio, together with several other articles and " Critical Notices " are compelled to stand over for want of space. Several Correspondents in our next. Rhotograps RkegistereD during tfjr Wast d@Aeekt. Mr. A. Lane, Hungerford, Berkshire, Photograph of the « Meet” at the Marquis of Aylesbury’s. Messrs. C. A. Du Val and Co., Exchange Street, Manchester. Photograph of Robert Maclure, Esq. „ S. J. Stern, Esq. „ Lord Edgerton, of Tatton. „ Robert Gladstone, Esq. „ John Platt, Esq. „ William Roberts, Esq. „ Nathaniel Eckersley, Esq. „ Edmund Ashworth, Esq. „ Hugh Mason, Esq. „ Abel H. Heywood, Esq. ,, Colonel Wilson Patten, M.P. „ Lord Derby. „ J. W. Maclure, Esq. „ Thomas Ashton, Esq. „ Rev. J. Wylde. „ Sir J. P. K. Shuttleworth. „ Rev. E. Hornby. Two Photographs of Rev. E. Birch, Chaplain to H. R. H. Prince of Wales. Photograph of G. E. Ashworth, Esq. ,, R. II. Hutchinson, Esq. „ Dr. Molesworth. „ Richard Ansdell, A.R.A. Mr. Frederick L. SLEDON, Derby House, Edge Hill, Liverpool, Three Portraits of Rev. Thomas Moore, St. Stephen’s Church, Liverpool. Mr. William Downey, 9, Eldon Square, Ncwcastle-on-Tyne. Photograph of John Bright, Esq., M.P. Mr. John Stuart, 120, Buchanan Street, Glasgow, Photograph of Rev. James Macnaught. Mr. William George HELSBY, Crosby Green, West Derby, Liverpool, Photograph of Valparaiso. „ Professor Samuelson. „ Robinson Crusoe’s Cave, Juan Fernandez. „ The Ruins of Tia-Huanaco. Vignette Portrait of Rev. J. Stevens. MR. Peter Skeolan, 12, Promenade Villas, Cheltenham, Photograph of Rev. Gordon Calthorpe. Portrait of Rev. Alfred Barry. ,, Rev. George Roberts. Mr. Charles Monson, 12, Bridge Street, Northampton, . Photograph Group of II. R. II. Prince of Wales, Earl Spencer, "u Mr. Edward Smith, 8, Old Bond Street, Bath, Portrait of Mr. Edwin Sturge. „ Dr. Marks. Mr. James G. Tunny, 93, Princes Street, Edinburgh, Portrait of the Hon. Theresa Yelverton.
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